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We all have a superhero inside us, it just takes a bit of magic to bring it out. In Billy Batson’s case, by shouting out one word – SHAZAM! – this streetwise fourteen-year-old foster kid can turn into the adult superhero Shazam.
Film stock consists of transparent celluloid, acetate, or polyester base coated with an emulsion containing light-sensitive chemicals. Cellulose nitrate was the first type of film base used to record motion pictures, Shazam! but due to its flammability was eventually replaced by safer materials. Stock widths and the film format for images on the reel have had a rich history, though most large Shazam! commercial films are still shot on (and distributed to theaters) as 35 mm prints. Originally moving picture film was shot and projected at various speeds using hand-cranked cameras and projectors; Shazam! though 1000 frames per minute (16 frame/s) is generally cited as a standard silent speed, research indicates most films were shot between 16 frame/s and 23 frame/s and projected from Shazam! 18 frame/s on up (often reels included instructions on how fast each scene should be shown).
As a medium, film is not limited to motion pictures, since the technology developed as Shazam! the basis for photography. It can be used to present
a progressive sequence of still images in the form of a slideshow. Film has also been incorporated into multimedia presentations Shazam! and often has importance as primary historical documentation. Film criticism is the analysis and evaluation of films. In general, these works can be divided into two categories: academic criticism by Shazam! film scholars and journalistic film criticism that appears regularly in newspapers and other media. Film critics working for newspapers, magazines, and broadcast media mainly review new releases. Normally they only Shazam! see any given film once and have only a day or two to formulate their opinions. Despite this, critics have an important impact on the audience response and attendance at Shazam! films, especially those of certain genres.
The impact of a reviewer on a given film’s box office performance is a matter of debate. Some observers claim that movie marketing in the Shazam! 2000s is so intense, well-coordinated and well financed that reviewers cannot prevent a poorly written or filmed blockbuster from attaining
market success. However, the cataclysmic failure of some heavily promoted Shazam! films which were harshly reviewed, as well as the unexpected success of critically praised independent films indicates that extreme critical reactions can have considerable influence.
The making and showing of Shazam! motion pictures became a source of profit almost as soon as the process was invented. Upon seeing how successful their new invention, and its product, was in their native France, Shazam! the Lumières quickly set about touring the Continent to exhibit the first films privately to royalty and publicly to the masses. Shazam! Shazam! Shazam!
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